In today’s world, which people see in totally empirical terms, imagination has lost some of its social acceptance.  Its decline has resulted in a inability to observe images that is expressed in a conformity of everything visual..  Observation ends thoughlessly at visual surfaces with hardly any recognition of a meaning behind them.   Yet this is not a sign of inaptitude, but, rather of having forgotten how for want of a challenge.  This project is designed to resocialize imagination, a fundamental prerequisite both for producing art and for is reception.  The imaginative person is a producer and/or a recipient of art.  It is necessary to experience imagination consciously again.  The high recognition value of the motif and the relaxed and informal use of postcards create familiarity.  The aim is to trigger the imagination  on the one hand and ti create access to observation on the other.  How often is false intellectual distance an obstacle to ”free” reception?  Yet only someone capable of conscius perception is capable of balanced observation.  ( markusgeorg.com )

earth pyramids of oberbozen, italy

allianz arena, munich

september 11, 2001

brandergurgen tor. berlin

eiffel tower, paris

matterhorn

frankfurt skyline