A mise-en-scène from Halfway to Midland. “I had originally taken this shot for the Mum project, but it didn’t work there,” Newberry says. “The girl had a different outfit, with a big mum on, and it was an outtake. But it was a very strong image that I couldn’t stop thinking about. It took 
two years to get her to agree to do it again.”

A staged shot from Halfway to Midland. “Guns are another part of this complex symbology in my personal history,” 
Newberry says. “I grew up in a military family.”

 Nancy Newberry